#Neve 1073 plugin settings for vocals full
#Neve 1073 plugin settings for vocals pro

#Neve 1073 plugin settings for vocals pro

Neumann U87 > Neve 1073 > UA 1176 > Teletronix LA-2A > SSL 4000J > A/D Converters > Pro ToolsДo you understand the potential this chain has to completely squash a vocal? But it doesnвЂ™t.

LetвЂ™s take a look at a common recording vocal chain in a major studio: As long as youвЂ™re using each of your tools for a specific purpose, use whatever you need to get your vocals sitting right. I think far too many people are sticking with limited plugins and processors because theyвЂ™re afraid theyвЂ™re doing something wrong. You can stack a dozen compressors, limiters, EQs, and more on a vocal without it sounding bad вЂ“ you just need to understand the impact each of those processors has on your overall sound. I would like to suggest a revision to that вЂ“ using too much processing the wrong way on a recording is a bad thing. There seems to be a stigma out there that using too much processing on a recording is a bad thing. This approach starts with your best option, makes minor improvements to it, and still gives you a more professional, mix-ready performance that using a single take ever will. In those cases, I recommend picking your favorite vocal take and comping any smaller parts that are in it from other takes. Sometimes youвЂ™re juggling your mixing with a million other things and comping isnвЂ™t high up on your list. Take notes on the best parts of each performance they give and youвЂ™ll have a great point of reference when you go to comp after.ДЄs far as lack of time goes, I get it. Plan ahead and record the vocals multiple times with your singer upfront. If youвЂ™re involved with the development of the song from the start, thereвЂ™s no reason for lack of takes to be an issue. Often there are two main roadblocks for them: lack of takes or lack of time. It allows you to take your favorite verses, lines, or even syllables and use them to craft the вЂњperfect vocal take.вЂќД¬omping has been an industry standard practice for quite a while, but even the pros sometimes forget the value of this process. Comping is the process of taking the best parts of multiple vocal takes and bubbling them up to a single, combined vocal track. While tuning is pretty much a standard these days, not as many producers or mixers seem to be taking advantage of what comping can offer their vocals. This is why the editing phase of your session is so important in getting the right sound. This one applies to male and female vocalists, but your mixed vocal is only going to sound as good as the source audio track. LetвЂ™s take a look at some of my favorites. Regardless of the genre you primarily work with, there are certain workflow decisions you can make with female vocal tracks that will set you up for success and instantly improve how they sit in your mix.

#Neve 1073 plugin settings for vocals full

In a country song, it should sound full and naturalвЂ¦ In pop, it should be airy and present without sounding harsh or brittle. In rock and metal, it needs to be raw and aggressive with at least a bit of grit. When you think of the perfect female vocal, what comes to mind? For me, itвЂ™s a bright, clear vocalist that fits perfectly in the mix.